The introduction of IT into healthcare has not followed a smooth path. In the early days, like-minded people came together from different professional backgrounds but with a shared interest in getting technology to work for patients and staff. This book contains recollections of the development of healthcare computing in the UK and includes references to published documents. It is aimed at researchers and health informaticians who wish to understand and avoid the mistakes of the past.
From volunteers ready to patrol the U.S.-Mexico border to the hundreds of thousands of men, women, and children who have marched in support of immigrant rights, the United States has witnessed a surge of involvement in immigration activism. In The Latino Threat, Leo R.
Chavez critically investigates the media stories about and recent experiences of immigrants to show how prejudices and stereotypes have been used to malign an entire immigrant population—and to define what it means to be an American.
Pundits—and the media at large—nurture and perpetuate the notion that Latinos, particularly Mexicans, are an invading force bent on reconquering land once considered their own. Through a perceived refusal to learn English and an "out of control" birthrate, many say that Latinos are destroying the American way of life. But Chavez questions these assumptions and offers facts to counter the myth that Latinos are a threat to the security and prosperity of our nation. His breakdown of the "Latino threat" contests this myth's basic tenets, challenging such well-known authors as Samuel Huntington, Pat Buchanan, and Peter Brimelow. Chavez concludes that citizenship is not just about legal definitions, but about participation in society. Deeply resonant in today's atmosphere of exclusion, Chavez's insights offer an alternative and optimistic view of the vitality and future of our country.
Historians have long known that German immigrants provided much of the support for emancipation in southern Border States. Kristen Layne Anderson's Abolitionizing Missouri, however, is the first analysis of the reasons behind that opposition as well as the first exploration of the impact that the Civil War and emancipation had on German immigrants' ideas about race. Anderson focuses on the relationships between German immigrants and African Americans in St. Louis, Missouri, looking particularly at the ways in which German attitudes towards African Americans and the institution of slavery changed over time. Anderson suggests that although some German Americans deserved their reputation for racial egalitarianism, many others opposed slavery only when it served their own interests to do so. When slavery did not seem to affect their lives, they ignored it; once it began to threaten the stability of the country or their ability to get land, they opposed it. After slavery ended, most German immigrants accepted the American racial hierarchy enough to enjoy its benefits, and had little interest in helping tear it down, particularly when doing so angered their native-born white neighbors. Anderson's work counters prevailing interpretations in immigration and ethnic history, where until recently, scholars largely accepted that German immigrants were solidly antislavery. Instead, she uncovers a spectrum of Germans' "antislavery" positions and explores the array of individual motives driving such diverse responses..
In the end, Anderson demonstrates that Missouri Germans were more willing to undermine the racial hierarchy by questioning slavery than were most white Missourians, although after emancipation, many of them showed little interest in continuing to demolish the hierarchy that benefited them by fighting for black rights.
A story from the Dreamspinner Press 2017 Advent Calendar collection Stocking Stuffers. An aggressive super-flu pandemic wipes out a majority of the population over the course of one Christmas holiday—and brings Tobin and Kyle together. For almost a year, they’ve been trekking across the country from Colorado toward a sanctuary in upstate New York. Kyle’s survival skills have kept them alive, and Tobin wants to repay the man he loves with a very special gift of his own making. He sneaks off in search of the last few pieces… only to get himself and Kyle kidnapped by a desperate stranger.
With their journey to New York on hold—possibly indefinitely—they’ll need to accept that home isn’t always defined by a place as much as the person you’re with.
Librarian's note: Alternate cover edition of ISBN 1481959824. Young Elsie Boncoeur is staging a one-girl rebellion against a world full of ignorance and prejudice, but her search for a world based on intelligence and justice leads her into a surreal alternate universe, where Einstein won World War II, the Greek gods were real and the citizenry are guided by the moral precepts of a lost Shakespeare comedy.
A beautifully illustrated survey of African American art of the twentieth century, including many never-before-seen works by the most important artists of the period. African American Art presents a powerful selection of paintings, sculpture, prints, and photographs by forty-three black artists who explored the African American experience of the twentieth century. Embracing many universal themes and also evoking specific aspects of the African American experience such as the African diaspora, jazz, and the power of religion, the artists worked in styles as varied as documentary realism, abstraction, and postmodern assemblage of found objects. Drawn entirely from the Smithsonian American Art Museum’s rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee.
More than half of the artworks in the exhibition are being shown for the first time. In Richard Powell’s text, his usual keen insights into meaning and metaphor enrich the reader’s understanding of the artworks in their historical setting and contemporary culture.