Beautifully designed, this journal is lined with pastel ink and features insightful quotes from Stormie's "Power of a Praying Wife "(350,000 copies sold) and "Power of a Praying Parent "(465,000 copies sold)," "Bound with Satin ribbon.
Sixty seconds. That’s how long it took for Elizabeth Jackson’s world to collapse. A normal day, a cold street – and all at once everything is gone. Twenty one years. That’s how long Alby Levin knows he’s been in love with his best friend, Elizabeth. So when she moves into his London apartment, lost, but full of life – he has to question: Is she back for truth about their past, or something else entirely? “Completely addictive.” – Ruth Buck. “Suspenseful romance that’s as easy to read as it is uplifting. A world I’d love to live in.” – Kylie Morrison “I feel like this story belongs to me. First you fall for Tessa and then you fall for Alby… and the two of them together? Magic.” – Cynthia House “Romance. Love. As it should be, worth a read.” – Jennifer Lee
Eduarda Aivara dzejoļu krājums “Parādības” ir dzejnieka devītais krājums, kurā apkopoti un sakārtoti pēdējo piecu gadu laikā tapušie dzejoļi. Laiks nestāv uz vietas. Dažs cilvēks sakrītas, dažs piebriest, dažs uzkumpst, dažs sportodams staltāks top. Vecās drānas vairs neder, un jāmeklē atkal no jauna. Dzejoļu krājums “Parādības” rāda, ka atkal ir izdevies atrast izteiksmi, kas der kā uzlieta. Dzejas forma netraucē, to pat it kā nemaz nemana, un lasītāju tieši apņem gan īsta brieduma skaidrība, gan joprojām jauneklīgā spēja ļauties brīnumiem, gan rimta dzīves nenovēršamā traģisma apjausma. Jānis Elsbergs Savukārt autors norāda: “”Parādībās” esmu ievērojis savu kompozīcijas principu, radot kulminācijas ar satura un māksliniecisko izteiksmes līdzekļu palīdzību. Arī šajā grāmatā būtisku vietu ieņem dzejoļi ar gariem virsrakstiem, mans jaunievedums. Šādas formas dzejoļiem nav analogu ne tikai šeit, bet arī, cik man zināms, citur pasaulē.”
Žižek and Heidegger offers a radical new interpretation of the work of Slavoj Žižek, one of the world's leading contemporary thinkers, through a study of his relationship with the work of Martin Heidegger. Thomas Brockelman argues that Žižek's oeuvre is largely a response to Heidegger's philosophy of finitude, an immanent critique of it which pulls it in the direction of revolutionary praxis. Brockelman also finds limitations in Žižek's relationship with Heidegger, specifically in his ambivalence about Heidegger's techno-phobia. Brockelman's critique of Žižek departs from this ambivalence - a fundamental tension in Žižek's work between a historicist critical theory of techno-capitalism and an anti-historicist theory of revolutionary change. In addition to clarifying what Žižek has to say about our world and about the possibility of radical change in it, Žižek and Heidegger explores the various ways in which this split at the center of his thought appears within it - in Žižek's views on history or on the relationship between the revolutionary leader and the proletariat or between the analyst and the analysand.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide.
We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Part of the time, you're an immortal god. Part of the time, you're a mortal doctor. Each life comes with its own problems, and you've got the problems of both! And to top it all off, what do you do when you fall in love with a mortal woman?