A brief account of the Science of Mind by the man who formulated it. Ernest Holmes has condensed the wisdom of his classic Science of Mind into this warm yet penetrating statement.
Stranded in the Philippines is based on the memoirs of Professor Henry Roy Bell and his wife Edna. After graduation from Emporia College in Kansas, they had gone to the Philippines in 1921 to teach at Silliman, a missionary school founded by Presbyterians in 1901. The Bell family was stranded in the Philippines after the attack on Pearl Harbor. This is their story from then until they were evacuated by a submarine on February 6, 1944. When the Japanese occupied their island of Negros, Prof. Bell first took his family into the hills to avoid Japanese soldiers on the coast.
But in time, some of Bell's recent students climbed to the Bell family's retreat and persuaded Bell to support them in their harassment of Japanese soldiers--but only in food. Yet in time, the young men acquired enough arms on their own to clash with the nearby enemy garrison. They inflicted heavy losses and fatally wounded the garrison commander. By steps, he became fully involved with the resistance. He became a major in the island-wide guerrilla force which he helped organize an intelligence network for MacArthur's headquarters. Despite the organizing success, the Bell's were facing certain capture. With the help from the now well-organized guerrilla forces, the family crossed the island for evacuation by the huge cargo submarine Narwhal when it delivered arms and ammunition for the guerrillas the night of the rendezvous.
This revised edition of an extremely clear Navy training manual leaves nothing to be desired in its presentation. Thorough in its coverage of basic theory, from the lever and inclined plane to internal combustion engines and power trains, it requires nothing more than an understanding of the most elementary mathematics. Beginning with the simplest of machines — the lever — the text proceeds to discussions of the block and tackle (pulleys and hoists), wheel and axle, the inclined plane and the wedge, the screw, and different types of gears (simple, spur, bevel, herringbone, spiral, worm, etc.).
A chapter on the concept of work discusses the measurement of work, friction, and efficiency; this is followed by investigations of power, force, and pressure, with explanations of the uses of scales, balances, gauges, and barometers. The fundamentals of hydrostatic and hydraulic machines (such as the hydraulic braking system and the hydraulic press) are discussed in detail. The remaining chapters cover machine elements (bearings and springs), basic mechanisms (gear differential, couplings, cams, clutches), the internal combustion engine and power trains (including explanations of various transmission systems — synchromesh, auxiliary, etc.). Every concept is clearly defined, and discussions always build easily from elementary theory to specific applications familiar to anyone with the slightest interest in mechanics. Important concepts, machine components, and techniques are clearly illustrated in more than 200 diagrams, drawings, and cross-sections that reveal inner workings — all of these help to clarify even further an already clear and well-organized presentation. Although it was originally designed for use in U.S. Naval Training Schools, this book can be used to great advantage as a basic text in mechanical engineering in standard technical schools, and it will be immensely valuable even to lay readers who desire a basic knowledge of mechanics.
The author of City Unique takes us back to the wicked old Montreal of 1948 in this fine, funny novel, where an innocent seventeen-year-old McGill student falls for a famous stripper “Catcher in the Rye meets Guys and Dolls”? Maybe. Or how about “Evelyn Waugh’s Decline and Fall comes to Mordecai Richler’s Montreal”? Close. But best of all is simply this: “William Weintraub — friend of Richler, Moore, and Gallant — has quietly produced a mature comic masterpiece.” Our hero, Richard Lippman, is about to enter McGill and is desperate for two things — a sense of direction in life and, much more important, sexual experience with a real, live girl. Unknown to his “refined” Westmount parents, he’s brought into the exciting Montreal world of burlesque and brothels by his Uncle Morty, who introduces him to Lili L’Amour, the star stripper of the day. Before you know it, he’s (a) head over heels in love with Lili and (b) using his poetic talents to write the text for her routine, and even giving her tips on how to move. Much follows, including his creation of “Freckles, The Girl Next Door,” a stripping sensation. By day a respectful McGill student courted by campus Communists, by night a free-spending night-club sampler and reviewer — well, it’s quite a year for Richard. And this is quite a novel for all of us. Watch for falling prizes.
This fascinating history charts the struggles and triumphs of Irish folk, trad, and blues musicians before the Irish music industry, and acts like U2, existed. Forgotten heroes and latter-day legends intertwine with honorary visitors who took a bit
A beautifully illustrated survey of African American art of the twentieth century, including many never-before-seen works by the most important artists of the period. African American Art presents a powerful selection of paintings, sculpture, prints, and photographs by forty-three black artists who explored the African American experience of the twentieth century. Embracing many universal themes and also evoking specific aspects of the African American experience such as the African diaspora, jazz, and the power of religion, the artists worked in styles as varied as documentary realism, abstraction, and postmodern assemblage of found objects. Drawn entirely from the Smithsonian American Art Museum’s rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee.
More than half of the artworks in the exhibition are being shown for the first time. In Richard Powell’s text, his usual keen insights into meaning and metaphor enrich the reader’s understanding of the artworks in their historical setting and contemporary culture.
In this collection of stories from some of your favorite (and soon-to-be favorite) authors, you will find all of the romance, butterflies, and drama that come with love, lust, and everything in-between.