El Arte de Vivir En Pareja (the Art of Living as a Couple)

When a lost lady discovers that love is found far from home. After confessing her love for Lord Cunningham, Lady Rose Darby is whisked away by her father in the dead of night and locked in an old asylum. With no one but her paid companion, Miss Flint, for company, six months pass before Rose manages to escape. But her plans to return to London go awry when she finds herself at Everleigh, a sprawling mansion nestled in the heart of the forest. Mistaken for a newly appointed maid, Rose is sent to meet her new master, the sinfully handsome and brooding Lord Farleigh. But how can she tell him who she really is without ruining her reputation? And why does the thought of working for a living suddenly have appeal? Christian Knight, seventh Viscount Farleigh, leads a reclusive life in his country estate. Widowed at thirty and left to care for his two young children, love and marriage are not on his agenda. What respectable woman would want to move into a house in such a state of turmoil? The staff are sick, and he can’t keep a governess for more than a week. Is that why the new maid, Rose, proves too much of a distraction? As an honourable man, he knows he must fight the attraction.

Yet, crippled with loneliness, his conscience is soon at war with his feeble heart. Features: Regency historical romance Contains some descriptive sex scenes Approx 65,000 words

Latte-lover Ava Langston knows exactly what she wants: her very own café in a vintage arcade in Bath and a life free of complicated relationships. But her plans go awry when her long-distance dad phones insisting she hop on the next plane to Costa Rica to meet his brand new wife. Ava has no intention of jetting to Latin America to acquire a stepmother - until, that is, her father offers her head honcho status at a beachfront café. The lure of frothing cappuccinos in a land where the coffee beans grow proves irresistible. But she hasn't planned on Santiago, her sexy-yet-stubborn business rival, or rugged Ryan whose idea of romance is swinging through the rainforest canopy at 6am. Both men give her butterfliess but only one will capture her heart...

"A rich and evocative novel about what it means to love and, above all, what it means to be human." Annabel Abbs "Burnett's ear for dialogue between lovers - and friends - is second to none. Ideal Love is an extraordinary interrogation of the human heart in all its complexity. Anyone who has ever felt they might die for love will relish this book." Rowan Pelling After an argument with her husband Gilles, Venus Rees is left devastated by his sudden death. But when she discovers that he died of a treatable genetic condition she knew nothing about, she is haunted by the thought that he didn't love her enough to save himself.

As time passes, Venus looks set to be trapped between grief and distrust forever.

Until she meets the shy, good-looking and seemingly ideal Alex. Intertwining Venus's compelling attraction to Alex in the present with Gilles' enraptured pursuit of her in the past, Ideal Love is an intimate and life-affirming novel about love, from its incandescent beginnings to its final breath and back again.

Kini, Dika hadir kembali dengan buku terbarunya, Komik KambingJantan Book 2.

Secara garis besar, komik kedua Dika ini masih menceritakan pengalaman pribadinya selama bersekolah di Adelaide, Australia. Meski masih menceritakan pengalamannya selama di negeri kanguru itu, selalu saja ada yang berbeda dari karya-karya Dika sebelumnya.

Kenangan-kenangan lucu dan unik yang pernah Dika alami selama berada di sana pun kini menjelma menjadi cerita yang menarik untuk dibagi kepada kamu semua. Nah, di komik keduanya ini cerita tentang perjuangan Dika dalam menghadapi ujian akhir, hingga menarik perhatian cewek bule di sebuah pantai nggak kalah serunya dengan cerita di buku-buku sebelumnya.

Dio Rudiman masih menjadi ilustrator andalan Dika di komik keduanya ini. Dengan guratan gambar dari Dio, cerita Dika menjadi lebih hidup, lebih lucu, dan lebih imajinatif dari cerita yang sebenarnya. Nggak hanya cerita di dalam komik ini saja yang seru untuk di baca. Ternyata, di balik proses pembuatan komik ini pun terbilang heboh. Saking hebohnya, Dio bahkan sempat menginap selama tiga hari di rumah Dika hanya untuk menyelesaikan komik ini.

Walker Evans was perhaps the greatest "documentary artist" America has ever known. In a career that lasted forty-six years (1928-1974) Evans profoundly -- even radically -- changed the way Americans looked at themselves, their social causes, and their country. Drawn from a largely unseen private collection -- the largest private collection of Walker Evans photographs in the world -- this lavishly produced volume presents scores of pictures that have heretofore been inaccessible to the public.Included are the familiar images of Evans's southern work (1935-36), as well as far familiar images of Evans's friends and fellow artists; his work in Tahiti; photographs that he made of Victorian house architecture (1930-31); and photographs done on travels to England, Cuba, Maine, Nova Scotia, Chicago, and New Orleans. Importantly, Evans prefigured the work of photographers as diverse as Dorothea Lange, Harry Callahan, Robert Frank, and Garry Winogrand -- as well as two generations of American documentary photographers. Authors Belinda Rathbone and Clark Worswick have written lively texts delineating the overlooked byways of Evans's career at a moment when a rediscovery of his life's work is taking place in both the museum world and in the world of photographic collecting. The "lost" photographs of Walker Evans, perhaps the most important figure in twentieth-century photography, are seen here for the first time.

Belinda Rathbone is a photography historian who has written widely on modern photographers. In her definitive biography, Walker Evans (1995), Rathbone interviewed more than a hundred friends and colleagues of Evans's, as well as his two former wives, and combed archives andletters to illuminate his singular vision and the complex personality that Evans carefully withheld from his photographs.

Her research papers are now part of the Walker Evans Archive at the Metropolitan Museum of Art, New York.